The Mermaid Boy
Wholesale $15.30 + GST
RRP $30.00
ISBN 9780473316457
From Christchurch to China, from mattress manufacture to Burmese medicine, these true stories explore one man's experience with the exotic and the mundane. Witty, perceptive, and often surprising, The Mermaid Boy introduces striking new ways to write about love, travel, and home.
John Summers’ writing has appeared in SPORT, Landfall, North & South, The Spinoff as well as Hue & Cry Journal. He won the 2016 Sunday Star Times Short Story Award for non-fiction, and was a finalist in the 2019 Voyager Media Awards. His second book The Commerical Hotel was published by Victoria University Press in 2021.
Published by Hue & Cry Press, 2015
Text by John Summers
Soft cover
140×210mm, upright
Listen to John talk to Pip Adam about Ronald Hugh Morrieson’s The Scarecrow on Better Off Read
John in conversation with Lawrence Patchett, editor of The Mermaid Boy
Wholesale $15.30 + GST
RRP $30.00
ISBN 9780473316457
From Christchurch to China, from mattress manufacture to Burmese medicine, these true stories explore one man's experience with the exotic and the mundane. Witty, perceptive, and often surprising, The Mermaid Boy introduces striking new ways to write about love, travel, and home.
John Summers’ writing has appeared in SPORT, Landfall, North & South, The Spinoff as well as Hue & Cry Journal. He won the 2016 Sunday Star Times Short Story Award for non-fiction, and was a finalist in the 2019 Voyager Media Awards. His second book The Commerical Hotel was published by Victoria University Press in 2021.
Published by Hue & Cry Press, 2015
Text by John Summers
Soft cover
140×210mm, upright
Listen to John talk to Pip Adam about Ronald Hugh Morrieson’s The Scarecrow on Better Off Read
John in conversation with Lawrence Patchett, editor of The Mermaid Boy
Wholesale $15.30 + GST
RRP $30.00
ISBN 9780473316457
From Christchurch to China, from mattress manufacture to Burmese medicine, these true stories explore one man's experience with the exotic and the mundane. Witty, perceptive, and often surprising, The Mermaid Boy introduces striking new ways to write about love, travel, and home.
John Summers’ writing has appeared in SPORT, Landfall, North & South, The Spinoff as well as Hue & Cry Journal. He won the 2016 Sunday Star Times Short Story Award for non-fiction, and was a finalist in the 2019 Voyager Media Awards. His second book The Commerical Hotel was published by Victoria University Press in 2021.
Published by Hue & Cry Press, 2015
Text by John Summers
Soft cover
140×210mm, upright
Listen to John talk to Pip Adam about Ronald Hugh Morrieson’s The Scarecrow on Better Off Read
John in conversation with Lawrence Patchett, editor of The Mermaid Boy
Praise
‘This book is an achievement of much clarity and grace, but more importantly it is a work of promise.’
—Landfall Review Online
‘These strange, fetching yarns of outsiders, losers, and other average New Zealanders read like fiction, with their artful crafting of unlikely events – there’s a slow boat to China, a kid in a mermaid suit, and a dildo on a doorknob in a dingy flat in Christchurch. It’s non-fiction as murky realism, and its down low, observational, fun.’
—Steve Braunias
‘The Mermaid Boy is a beautiful, robust collection of work. John Summers offers readers experiences and recollections that are somehow communal – non-fiction stories of growing up, flatting, work and travel. It is the quiet, commonplace aspect of his observation that gives this work such emotional depth. Every once in a while a book comes along that you read, re-read, and treasure. This is one of those books.’
—Laurence Fearnley
‘He is a self-deprecating narrator with a rare empathy and tenderness for even the most hopeless people he encounters... These true stories have the shape of good fiction, making Summers a writer to watch.’
—Philip Matthews, Stuff.co.nz
‘Strong writing, a compassionate and empathetic heart and an eye for the humorous side of our world...’
—Booksellers NZ
‘Summers is a masterful story teller, with a prodigious way with words. An excellent winter read.’
—Wairarapa Midweek